“Morfejeva poseta (Morpheus’s visit)”. Catalog text (SR), artist Snežana Vujović Nikolić, Zvono gallery in Belgrade, 10/2016.
“Pčelar / the Beekeeper”. Curatorial text written regarding 9th Mobile residencies, ZMUC (SR&EN), 07/2016.
“ENTRE PALABRA E IMAGEN: Galería de pensamiento de Gloria Anzaldúa”. Review of the exposition (EN&ESP), online magazine Hysteria! 04/2016.
“Dejan Golić: TXT/SMBLS, drawings (2014-2015)”. Catalog text (SR), Gallery of Kolarac endowment in Belgrade, 01/2016, and Student cultural center in Kragujevac.
Contribution for “Excess of visions” publication, as part of the exhibition “Solar Anus” and SOMA summer 2015 program. SOMA, Mexico city, 08/2015.
“Aleksandar Jevtić: Da ne kvarimo… / Let’s not spoil it… (drawings 2012-2014)”. Catalog text (SR&EN). Gallery of Kolarac endowment in Belgrade and Student cultural center in Kragujevac, autumn and winter 2014.
Two essays: “Science fiction between utopia and critique: On different perspectives used in science fiction narratives, situated knowledge, and how discontent is useful”, and “Science Fiction Belgrade: Imagining different realities in the works of Enki Bilal and Aleksa Gajić”. Written for editorial Not Afraid of the Ruins, as part of web portal Uneven Earth (EN), 06/2018.
“Ukiyo-E between Pop Art and (Trans)cultural Appropriation: On the Art of Muhamed Kafedžić (Muha)”. Research essay published in Transcultural Studies journal 2017, no. 1 (EN), 10/2017.
“Ukijo-e između pop-arta i (trans)kulture aproprijacije (Ukiyo-e between Pop-art and (trans)cultural appropriation – artwork of Muhamed Kafedžić Muha)”. Istraživački članak objavljen u časopisu KULTURA br. 147 (SR), 11/2015.
“Muzika zapadne Afrike: Četiri instrumenta iz kolekcije Muzeja afričke umetnosti u Beogradu” (The Music of West Africa: Four Instruments From the Collection of The Museum of African Art in Belgrade). Curatorial thesis (in Serbian), The Museum of African Art’s e-publications, 07/2015.
“Weird and wondrous comics of Aleksa Gajić: Comics in the extended field (works 2011-13)”. Essay in International Journal of Comic Art (Vol. 16, No. 2, 2014) in English.
“Discovering William Kentridge: Understanding politically engaged contemporary African art from a distance and how it may raise awareness about personal politics of location”. Essay in Seismopolite magazine #5 (2013, EN).
“About and around curating: academic course”. Serbian Architectural Journal (EN), 12/2013.
“Dva tahićanska manifesta Pola Gogena: Mana’o tupapa’u i Odakle dolazimo? Ko smo? Gde idemo?” (Paul Gauguin’s two Tahitian manifests: Mana’o tupapa’u and Where do we come from? Who we are? Where are we going?). Essay written for the 8th edition of The Journal of Modern Art History Department of Faculty of Philosophy (SR), 05/2012.
Other reviews and commentary:
“Vazda je dobro jer stilovi su razni”. K13 Crew graffiti mural jam blog report (SR&EN), 10/2020.
“Conversations: African and African American Artworks in Dialogue / Razgovori: afrička i afro-američka umetnost u dijalogu”. Interview (SR&EN) with Christine Mullen Kreamer, AFRIKA #3, 11/2016 (made in 2014).
“Dialogue starts with a hack (Homeland case): an interview with Caram Kapp”. An interview regarding Homeland TV series media hack, published originally for SEEcult web portal (SR&EN), 12/2015.
“Skype call Arlington-Sarajevo”. Interview with Muhamed Kafedžić – Muha (in Serbian). Web portal BUKA, 03/2015.
“The era of hybrid symbiosis: ecology, economy and IT”. Interview with Mirko Nikolić (in Serbian). Web magazine DeMaterijalizacija Umetnosti, 03/2015.
“How does it work? Cultural Networks Management in the Euro-Mediterranean Region, Cultural Innovators Network case study”. Master thesis research at the University of Arts in Belgrade, MA in Cultural Policy and Management, UNESCO chair, 10/2017.
“Muzika Afrike: perspektiva u interpretaciji tradicionalnih afričkih muzičkih instrumenata i njihovog savremenog značenja na bazi zbirke muzičkih instrumenata Muzeja afričke umetnosti u Beogradu” (The Music of Africa: A perspective in interpretation of traditional African musical instrumkents and their contemporary significance based on the collection of musical instrument of The Museum of African Art in Belgrade). Curatorial thesis, mentor: art historian and curator Nataša Njegovanović-Ristić (in Serbian), 05/2012.
“Zapisi civilizovanog divljaka: Pol Gogen u svetlu orijentalizma, kolonijalizma i primitivizma” (The writings of a noble savage: Paul Gauguin in light of primitivism, exoticism and oriental studies). University thesis, mentor: prof. dr Simona Čupić (in Serbian), 09/2008.
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