publications

Exhibition catalogs:

• “Morfejeva poseta (Morpheus’s visit)”. Catalog text (SR), artist Snežana Vujović Nikolić, Zvono gallery in Belgrade, 10/2016.
• “Dejan Golić: TXT/SMBLS, drawings (2014-2015)”. Catalog text (SR), Gallery of Kolarac endowment in Belgrade, 01/2016, and Student cultural center in Kragujevac.
• Contribution for “Excess of visions” publication, as part of the exhibition “Solar Anus” and SOMA summer 2015 program. SOMA, Mexico city, 08/2015.
• “Aleksandar Jevtić: Da ne kvarimo… / Let’s not spoil it… (drawings 2012-2014)”. Catalog text (SR&EN). Gallery of Kolarac endowment in Belgrade and Student cultural center in Kragujevac, autumn and winter 2014.
• Jovana Banjanac: “Street View”. Catalog text (SR), Gallery Zvono, 06/2014.
• “Simonida Rajčević: Lanac / The Chain”. Catalog text (SR&EN). G12 Hub & Resonate festival, 04/2014.
• Nemanja Čađo: “Opna” (Membrane). Video artwork / performance, catalog text (SR, EN & in Slovenian), 2014 (published 08/2016).
• “Weird comics of Aleksa Gajić: Comics in the extended field (works 2011-13)”. Catalog text and exhibition in O3ONE gallery in Belgrade (10/2013, SR&EN).
• “About and Around Curating: Thrill in Movement” (editorial) and “Silk Road, Station: Savamala” (catalog text, SR&EN). Mikser festival 2013 and collaboration with artist Nemanja Čadjo, 06/2013.
• “About and Around Curating: 7×3” exhibition catalog (SR&EN). U10 Art Space and Faculty of Architecture, Belgrade, 04/2013.
• Vuk Ćuk: “Grand hall”. Catalog text (SR), Gallery Zvono, 03/2013.
• “Čuvari” (Guardians). Catalog text (SR), artist Snežana Vujović Nikolić, Gallery Zvono, 12/2012.
• “Transformers: post-pop automotive fetish”. Catalog text (SR&EN), artist Nikola Kolja Božović. Gallery Zvono, Belgrade, 11/2012.
• “Ljudske aktivnosti. Bespomoćni” (Human activities. Helpless). Catalog text (SR&EN), artist Simonida Rajčević. The Museum of Railways and Gallery Zvono, Belgrade, 05/2012.

TXT/SMBLS, Dejan Golić, Kolarac 2016.

Transformersi, Nikola Kolja Božović, Zvono 2012.

Ljudske aktivnosti. Bespomoćni, Simonida Rajčević, galerija Zvono i Muzej železnice 2012.

Čudnovati stripovi, Aleksa Gajić, O3ONE 2013.

Da ne kvarimo…, Aleksandar Jevtić, Kolarac 2014.

Opna, Nemanja Čađo, Rog 2016.

Research essays, reviews, books:

• Two essays: “Science fiction between utopia and critique: On different perspectives used in science fiction narratives, situated knowledge, and how discontent is useful”, and “Science Fiction Belgrade: Imagining different realities in the works of Enki Bilal and Aleksa Gajić”. Written for editorial Not Afraid of the Ruins, as part of web portal Uneven Earth (EN), 06/2018.
• “Bantustan, Afrika, knjige, putovanja, pričanje priče i koferi koje uvek nosimo sa sobom”. Prikaz knjige “Bantustan” za vebsajt Klub Putnika, 04/2018.
• “How does it work? Cultural Networks Management in the Euro-Mediterranean Region, Cultural Innovators Network case study”. Master thesis research at the University of Arts in Belgrade, MA in Cultural Policy and Management, UNESCO chair, 10/2017.
• “Ukiyo-E between Pop Art and (Trans)cultural Appropriation: On the Art of Muhamed Kafedžić (Muha)”. Research essay published in Transcultural Studies journal 2017, no. 1 (EN), 10/2017.
• “Memory Overproduction: Turbo Sculpture and the Bizarre Statues of Belgrade”. Balkanist magazine (EN), 07/2017.
• “Pčelar / the Beekeeper”. Curatorial text written regarding 9th Mobile residencies, ZMUC (SR&EN), 07/2016.
• “Viaje a CDMX”. A travelogue written for magazine Reflejo (Asociación de Hispanistas de Serbia), in Serbian, 09/2016.
• “ENTRE PALABRA E IMAGEN: Galería de pensamiento de Gloria Anzaldúa”. Review of the exposition (EN&ESP), online magazine Hysteria! 04/2016.
• “Ukijo-e između pop-arta i (trans)kulture aproprijacije (Ukiyo-e between Pop-art and (trans)cultural appropriation – artwork of Muhamed Kafedžić Muha)”. Istraživački članak objavljen u časopisu KULTURA br. 147 (SR), 11/2015.
• “The Music of West Africa: Four Instruments From the Collection of The Museum of African Art in Belgrade”. Curatorial thesis (in Serbian), The Museum of African Art’s e-publications, 07/2015.
• “Weird and wondrous comics of Aleksa Gajić: Comics in the extended field (works 2011-13)”. Essay in International Journal of Comic Art (Vol. 16, No. 2, 2014) in English.
• “About and around curating: academic course”. Serbian Architectural Journal (EN), 12/2013.
• Texts on William Kentridge: review in “AFRIKA – studies of art and culture” (No. 2, 2014, SR&EN) and essay in Seismopolite magazine #5 (2013, EN).
• “Umetnica iz filma Ghost World”. Blog post, in SR, 98/2012.
• Review of anime “Kokurikozaka kara”. Web magazine Afirmator (SR&EN), 08/2012.
• Review of anime “Children Who Chase Lost Voices from Deep Below”. Web magazine Afirmator (SR), 06/2012.
• “Paul Gauguin’s two Tahitian manifests: Mana’o tupapa’u and Where do we come from? Who we are? Where are we going?” Essay written for the 8th edition of The Journal of Modern Art History Department of Faculty of Philosophy (SR), 05/2012.
• “Može se reciklirati” (It could be recycled). Article on recycle platform ReUseConnection, Street Magazine Liceulice #09. In Serbian, 02/2012.
• Announcements for Kinoteka events: Hayao Miyazaki, William Kentridge, African music in documentaries, in Serbian, 2011.

“Ama and Octopus after Hokusai”. Series “100 Views of Ukiyo-e, volume I: Masters”. Technique: acrylic on canvas. Size: 120 x 177 cm (47.24 x 69.68 inch). Year: October 2011.

Mana’o tupapa’u, Paul Gauguin, 1892.

Muzika zapadne Afrike. Srđan Tunić, 2015.

What will come (has already come), William Kentridge, 51. Oktobarski salon u Beogradu 2010.

Interviews:

• “Conversations: African and African American Artworks in Dialogue / Razgovori: afrička i afro-američka umetnost u dijalogu”. Interview (SR&EN) with Christine Mullen Kreamer, AFRIKA #3, 11/2016 (made in 2014).
• “Dialogue starts with a hack (Homeland case): an interview with Caram Kapp”. An interview regarding Homeland TV series media hack, published originally for SEEcult web portal (SR&EN), 12/2015.
• “Skype call Arlington-Sarajevo”. Interview with Muhamed Kafedžić – Muha (in Serbian). Web portal BUKA, 03/2015.
• “The era of hybrid symbiosis: ecology, economy and IT”. Interview with Mirko Nikolić (in Serbian). Web magazine DeMaterijalizacija Umetnosti, 03/2015.

Other texts:

• “Muzika Afrike: perspektiva u interpretaciji tradicionalnih afričkih muzičkih instrumenata i njihovog savremenog značenja na bazi zbirke muzičkih instrumenata Muzeja afričke umetnosti u Beogradu” (The Music of Africa: A perspective in interpretation of traditional African musical instruments and their contemporary significance based on the collection of musical instrument of The Museum of African Art in Belgrade). Curatorial thesis, mentor: art historian and curator Nataša Njegovanović-Ristić (in Serbian), 05/2012.
• “Zapisi civilizovanog divljaka: Pol Gogen u svetlu orijentalizma, kolonijalizma i primitivizma” (The writings of a noble savage: Paul Gauguin in light of primitivism, exoticism and oriental studies). University thesis, mentor: prof. dr Simona Čupić (in Serbian), 09/2008.
• short stories and travelogues: http://aguycallederik.blogspot.com/ (since 2007/2010).

Unpublished:

• Al Davison interview, with Julijana Stanojević, 2011.
• “Izuzetan predmet – maska đivara”, Muzej afričke umetnosti, 2011.
• “Hipodrom u Carigradu”, tekst za Politikin Zabavnik, 2011.
• “Evelyn Evelyn” recenzija, Popboks, 2011.
• “Imaginarni Tahiti: Gogenova kolonijalna vizija”, Studij kulture imaginarnih društava (Nada Sekulić), 2010.

ENTRE PALABRA E IMAGEN: Galería de pensamiento de Gloria Anzaldúa, Nina Hoechtl and Srđan Tunić, DF 2016.

ArabianStreetArtists2.jpg Top: we didn’t resist, so he conquered us riding on a donkey. Bottom: The situation is not to be trustedleft: This show does not represent the views of the artists. 2015

National Museum of African Art, Christine Mullen Kreamer and Srđan Tunić, Conversations 2014.

all that is air melts into city. Mirko Nikolić, 2014.

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