art historian, freelance curator, cultural manager and researcher
What I find intrinsically valuable in working with (predominantly) visual artists is creating a temporary or long-term collaboration which is not pre-made, but rather built along with the creative process, aiming towards the equality (in relations) of both actors. We define how we work together based on mutual goals. For me, each piece of research about new artwork and working with artists presents an opportunity for mutual creativity and inspiration, regardless of the scope of the collaboration in question (text, exhibition setting, concept, educative activities, among others). Also, I find this work an excellent point of intersection of new, different and compatible fields of knowledge, ideas and experiences.
In my practice, research and exploration of the art world undoubtedly tends to be understood and interlinked in a broader field of (primarily) social sciences, with a necessary critical reflection of my own position as a researcher, and a focus on context of the artwork in question. Juxtaposing perspectives I see as valuable means towards reaching a less-authoritarian and more conscious, multi-layered approach. In working with artists, rather than making a direct critique, I tend to propose solution through (joint) action.
My main fields of experience, studies and interest so far are art history, contemporary and African arts, inter/trans-culturalism, street art, anthropology, curatorial practices, arts management, human – animal relations, queer studies, science fiction, experiential learning and post-colonialism studies, with a tendency to be expanded with new work challenges.
As an art curator coming from an “independent”, freelance position, in working with art projects I perceive creative challenges of my profession (as research, curating, writing, etc.) equally important as organizational ones, such as coordination, project writing, among others, which I see to serve the mutual goal. Organizationally, I incline towards participation, horizontal management and Do-It-Together ethics.
So far, my work has been mostly focused on working in Serbia and the Balkan region, countries of the European Union and the Mediterranean sea, shifting towards a more cross-cultural and trans-national work.
With a dynamic and multi-faceted profession such as the curatorial one, I see a curator’s role in constant reflection, re-discovery and re-adjusting to its artistic, cultural and social challenges.
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